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		<link>http://jsosa.wordpress.com/2007/01/09/33/</link>
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		<pubDate>Tue, 09 Jan 2007 17:17:20 +0000</pubDate>
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		<description><![CDATA[Software development used to drive what a user got. We had a one directional Waterfall Model ware in our little software environments every detail was know in advanced and software document specs did not change (i.e. a figment of our imagination). Users would get something functional, but never just what they wanted or needed by [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jsosa.wordpress.com&amp;blog=487005&amp;post=33&amp;subd=jsosa&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal"><font face="Times New Roman" size="3"><span style="font-size:12pt;">Software development used to drive what a user got. We  had a one directional Waterfall Model ware in our little software environments  every detail was know in advanced and software document specs did not change  (i.e. a figment of our imagination). Users would get something functional, but  never just what they wanted or needed by the time the software was completed or  shipped. Next the Spiral model, the <strong><span style="font-weight:bold;">agile</span></strong> spiral development process. They  differed from one directional Waterfall Model that did not back up. Agile  spirals tend to produce software a little more likely to match what users need  and want. Spirals support usability, and usability drives the need for spiral  development. What is next in our development approach model? No one knows for  sure but it may be this. I think instead of Flow Model it should be call the Fluid model because software should be more like water and shape itself to a users needs and taks objectives as s/he using the system. </span></font></p>
<p class="MsoNormal"><font face="Arial" size="2"><span style="font-size:10pt;font-family:Arial;"> <a href="http://headrush.typepad.com/creating_passionate_users/2007/01/what_comes_afte.html" title="http://headrush.typepad.com/creating_passionate_users/2007/01/what_comes_afte.html">http://headrush.typepad.com/creating_passionate_users/2007/01/what_comes_afte.html</a></span></font></p>
<p class="MsoNormal"><font face="Arial" size="2"><span style="font-size:10pt;font-family:Arial;"> JFS</span></font></p>
<p class="MsoNormal"><font face="Arial" size="2"><span style="font-size:10pt;font-family:Arial;"> </span></font></p>
<p class="MsoNormal"><font face="Arial" size="2"><span style="font-size:10pt;font-family:Arial;">Jose F. Sosa<br />
Web Software  Design/Development<br />
City of Everett<br />
<a href="http://www.everettwa.org/" title="http://www.everettwa.org/">http://www.everettwa.org/</a><br />
<a href="mailto:jsosa@ci.everett.wa.us" title="mailto:jsosa@ci.everett.wa.us">jsosa@ci.everett.wa.us</a><br />
P:  425.257.8616 </span></font></p>
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		<title>Explaning Art &amp; Design</title>
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		<pubDate>Wed, 06 Dec 2006 00:07:26 +0000</pubDate>
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		<description><![CDATA[I have been trying to explain art and visual building blocks of design to my wife without using rules because there are no rules in art but rather some design guidelines. So I have written this simple explanation. In writing there are&#160;some rules or guide lines to follow to create a story or communicate an [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jsosa.wordpress.com&amp;blog=487005&amp;post=32&amp;subd=jsosa&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[</p>
<p>I have been trying to explain art and visual building blocks of design to my wife without using rules because there are no rules in art but rather some design guidelines.
<p>So I have written this simple explanation.
<p>In writing there are&nbsp;some rules or guide lines to follow to create a story or communicate an idea.
<p>When you show someone a visual representation of a beautiful butterfly and then show them a representation of a cockroach the will have different responses.
<p>That’s subject mater in art.
<p>Like grammar in language, visual compositions have some formal aspects. Stories are written with words or the subject matter, creating good stories or bad stories. Art has good composition and design and bad ones as well. Art is more that any picture. In writing sentence structure, organization and style are important to have a successful novel. In artwork how the formal guidelines and elements are arranged can cause a magical visual idea &amp; creation or throwaway disaster.
<p>The seven visual elements or art elements.
<p><b>Color, Line, Shape, Value, Texture, Volume, Form</b>
<p><b>Design Concepts</b><b></b>
<p>What do great artist/photographers/cinematographers/architectures/ drafters/ computer graphic artists have in common?
<p>A good understanding of design. 7 out of the 21 will be covered today
<p>1. No No Regions:
<p><a href="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0032.gif"><img height="72" src="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0031.gif?w=240&#038;h=72" width="240"></a>
<p>Never have anything going in or out of your art work from these lines. Take a look at the example painting below to see this technique in action. Also look at any good photo, your next movie or even any magazine and look at the placement of the subject. (subject is anything you are drawing such as roads, horizons, rivers, etc.)
<p><a href="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0042.gif"><img height="181" src="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0041.gif?w=240&#038;h=181" width="240"></a>
<p>“Paris Street” by Gustave Callebotte
<p>2. Subject Placement:
<p><a href="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0072.gif"><img height="73" src="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0071.gif?w=240&#038;h=73" width="240"></a>
<p>These are good areas to place your subject
<p>3. Imbalance: To semtricale
<p><a href="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0092.jpg"><img style="border-right:0;border-top:0;border-left:0;border-bottom:0;" height="121" src="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0091.jpg?w=240&#038;h=121" width="240" border="0"></a>
<p><a href="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0112.jpg"><img style="border-right:0;border-top:0;border-left:0;border-bottom:0;" height="179" src="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0111.jpg?w=240&#038;h=179" width="240" border="0"></a>
<p>Set up your subjects or objects with varying imbalance to create more interesting pieces.
<p>4. Odd is better:
<p><a href="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0142.gif"><img height="72" src="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0141.gif?w=240&#038;h=72" width="240"></a>
<p>Always use odd numbers of subjects to create your pieces such 1-3-5 of anything.
<p>5. Buffers:
<p><a href="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0162.jpg"><img style="border-right:0;border-top:0;border-left:0;border-bottom:0;" height="127" src="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0161.jpg?w=240&#038;h=127" width="240" border="0"></a>
<p><a href="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0182.jpg"><img style="border-right:0;border-top:0;border-left:0;border-bottom:0;" height="182" src="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0181.jpg?w=240&#038;h=182" width="240" border="0"></a>
<p>“Socks Art” By Jose F. Sosa
<p>Use buffers to keep the attention and interest of viewers focused on your star attraction.
<p>6. Movement: “Camera Study” By Jose F. Sosa
<p><a href="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0202.jpg"><img style="border-right:0;border-top:0;border-left:0;border-bottom:0;" height="128" src="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0201.jpg?w=240&#038;h=128" width="240" border="0"></a>
<p><a href="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0222.jpg"><img style="border-right:0;border-top:0;border-left:0;border-bottom:0;" height="189" src="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0221.jpg?w=240&#038;h=189" width="240" border="0"></a>
<p>This refers to eye movement around and in-between objects in your artwork.
<p>7. Entrance:
<p><a href="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0252.gif"><img height="89" src="http://jsosa.files.wordpress.com/2006/12/windowslivewriterexplaningartdesign-e17aclip-image0251.gif?w=240&#038;h=89" width="240"></a>
<p>This is the starting point of the eyes journey though your artwork.
<p>These first seven design concepts can get you started. The remaining 14 concepts are important to, so I will just list them for you if you want to do more research. We will not discuss them today.
<p>More Design Principles or design rules (some artists purposely break rules, but you can’t break them if you don’t know what they are so that is a nice reason not to know them sometimes)&nbsp;&nbsp;&nbsp;
<p>Example list:
<p>Every author has a slightly different list of Principles.
<p>8.&nbsp;&nbsp;&nbsp;&nbsp; <b>Exit</b>
<p>9.&nbsp;&nbsp;&nbsp;&nbsp; <b>Vertical</b> <b>pole</b>
<p><b>10. </b><b>Tone</b>
<p><b>11. </b><b>Proportion</b>
<p>12. <b>Unity</b> &#8211; nothing distracts from the whole you have unity. Unity without variation can be uninteresting &#8211; like driving on a clear day through Western Kansas on the interstate. Unity with diversity generally has more to offer in both art and in life.&nbsp; Of course some very minimal art can be very calming and at times even very evocative, and even a simple landscape can have a powerful effect.
<p><b>13. </b><b>Depth or Perspective</b>
<p><b>14. </b><b>Harmony</b> &#8211; pleasing visual combinations are harmonious.<b></b>
<p>15. <b>Emphasis</b> &#8211; &nbsp;like the &#8220;Center of Interest.&#8221; It is about dominance and influence. Most artists put it a bit off center and balance it with some minor themes to maintain our interest. Some artists avoid emphasis on purpose. They want all parts of the work to be equally interesting.
<p>16. <b>Opposition</b> &#8211; on contrasting visual concepts. That same Western Kansas &#8220;big sky&#8221; landscape becomes very dramatic and expressive when a storm builds in the southwest.
<p><b>17. </b><b>Texture </b>
<p><b>18. </b><b>Volume</b>
<p><b>19. </b><b>Scale</b>
<p><b>20. </b><b>Motion</b>
<p>21. <b>Do I like it?</b>&nbsp; The most important
<p>Other Design Ideas
<p>Interposition
<p>Spatial summations
<p>Figure-Ground
<p>Hues/Color Dynamics
<p>Curved and straight
<p>High and low
<p>Dark and light (low key &#8211; high key)
<p>Open and closed
<p>Positive and negative
<p>Soft and hard
<p>Smooth and rough,
<p>Parallel and branching
<p>Spiral and concentric
<p>And so on to infinity<br />
<h3>Art: Then/Now/Future</h3>
<p>The major movements in art you should know about follow:
<p>We will start with <b>Impressionism </b>was the time of bold interpretations of what the artist saw. The artist associated with the movement are Monet, Degas, Gollia. A late-nineteenth-century French school of painting. It focused on transitory visual impressions, often painted directly from nature, with an emphasis on the changing effects of light and color. Monet, Renoir, and Pissarro were important impressionists.
<p>Da Daism or <b>Surrealism</b> is one of my favorites movements because of the freedom and beauty it expressed. Through fantastically real painting of only imaginable subjects, it was the ultimate combination of dreaming a reality.
<p>The artist most well known for this movement include Salvidor Dahli, Max Ernest.
<p><b>Optical Art</b> op art An abstract movement in Europe and the United States, begun in the mid-1950s, based on the effects of optical patterns. Albers worked in this style.
<p><b>Pop art </b>A movement that began in Britain and the United States in the 1950s. It used the images and techniques of mass media, advertising, and popular culture, often in an ironic way. Works of Warhol, Lichtenstein, and Oldenburg exemplify this style.
<p><b>Realism</b> In a general sense, refers to objective representation. More specifically, a nineteenth century movement, especially in France, that rejected idealized academic styles in favor of everyday subjects. Daumier, Millet, and Courbet were realists.
<p><b>Cubism </b>A revolutionary movement begun by Picasso and Braque in the early twentieth century. It employs an analytic vision based on fragmentation and multiple viewpoints.
<p><b>Renaissance</b> Meaning &#8220;rebirth&#8221; in French. Refers to Europe c. 1400-1600. Renaissance art which began in Italy, stressed the forms of classical antiquity, a realistic representation of space based on scientific perspective, and secular subjects. The works of Leonardo, Michelangelo, and Raphael exemplify the balance and harmony of the High Renaissance (c. 1495-1520).
<p><b>Rococo</b> An eighteenth-century European style, originating in France. In reaction to the grandeur and massiveness of the baroque, Rococo employed refined, elegant, highly decorative forms. Fragonard worked in this style.
<p><b>Baroque</b> A movement in European painting in the seventeenth and early eighteenth centuries, characterized by violent movement, strong emotion, and dramatic lighting and coloring. Bernini, Caravaggio and Rubens were among important baroque artists.
<p><b>More Art Sub Movements and Periods</b>
<p><b>abstract expressionism</b> Movement in painting, originating in New York City in the 1940s. It emphasized spontaneous personal expression, freedom from accepted artistic values, surface qualities of paint, and the act of painting itself. Pollock, de Kooning, Motherwell, and Kline, are important abstract expressionists.
<p><b>art deco</b> Design style prevalent during the 1920s and 1930s, characterized by a sleek use of straight lines and slender form.
<p><b>art nouveau</b> A decorative art movement that emerged in the late nineteenth century. Characterized by dense asymmetrical ornamentation in sinuous forms, it is often symbolic and of an erotic nature. Klimt worked in an art nouveau style.
<p><b>Ash Can School</b> Group of American artists active from 1908 to 1918. It included members of The Eight such as Henri and Davies; Hopper was also part of the Ash Can group. Their work featured scenes of urban realism.
<p><b>Barbizon</b><b> School</b> An association of French landscape painters, c. 1840-70, who lived in the village of Barbizon and who painted directly from nature. Theodore Rousseau was a leader; Corot and Millet were also associated with the group.
<p><b>byzantine</b> A style of the Byzantine Empire and its provinces, c. 330-1450. Appearing mostly in religious mosaics, manuscript illuminations, and panel paintings, it is characterized by rigid, monumental, stylized forms with gold backgrounds.
<p><b>classicism</b> Referring to the principles of Greek and Roman art of antiquity with the emphasis on harmony, proportion, balance, and simplicity. In a general sense, it refers to art based on accepted standards of beauty.
<p><b>color field painting</b> A technique in abstract painting developed in the 1950s. It focuses on the lyrical effects of large areas of color, often poured or stained onto the canvas. Newman, Rothko, and Frankenthaler painted in this manner.
<p><b>conceptual art</b> A movement of the 1960s and 1970s that emphasized the artistic idea over the art object. It attempted to free art from the confines of the gallery and the pedestal.
<p><b>constructivism</b> A Russian abstract movement founded by Tatlin, Gabo, and Antoine Pevsner, c. 1915. It focused on art for the industrial age. Tatlin believed in art with a utilitarian purpose.
<p><b>The Eight</b> A group of American painters who united out of opposition to academic standards in the early twentieth century. Members of the group were Robert Henri, Arthur Davies, Maurice Prendergast, William James Glackens, Ernest Lawson, Everett Shinn, John Sloan, and George Luks.
<p><b>expressionism</b> Refers to art that uses emphasis and distortion to communicate emotion. More specifically, it refers to early twentieth century northern European art, especially in Germany c. 1905-25. Artists such as Rouault, Kokoschka, and Schiele painted in this manner.
<p><b>fauvism</b> From the French word <i>fauve</i> , meaning &#8220;wild beast .&#8221; A style adopted by artists associated with Matisse, c. 1905-08. They painted in a spontaneous manner, using bold colors.
<p><b>folk art</b> Works of a culturally homogeneous people without formal training, generally according to regional traditions and involving crafts.
<p><b>futurism</b> An Italian movement c. 1909-19. It attempted to integrate the dynamism of the machine age into art. Boccioni was a futurist artist.
<p><b>Gothic</b> A European movement beginning in France. Gothic sculpture emerged c. 1200, Gothic painting later in the thirteenth century. The artworks are characterized by a linear, graceful, elegant style more naturalistic than that which had existed previously in Europe.
<p><b>mannerism</b> A style, c. 1520-1600, that arose in reaction to the harmony and proportion of the High Renaissance. It featured elongated, contorted poses, crowded canvases, and harsh lighting and coloring.
<p><b>minimalism</b> A movement in American painting and sculpture that originated in the late 1950s. It emphasized pure, reduced forms and strict, systematic compositions.
<p><b>Nabis</b> From the Hebrew word for &#8220;prophet.&#8221; A group of French painters active in the 1890s who worked in a subjective, sometimes mystical style, stressing flat areas of color and pattern. Bonnard and Vuillard were members.
<p><b>naive art</b> Artwork, usually paintings, characterized by a simplified style, nonscientific perspective, and bold colors. The artists are generally not professionally trained. Henri Rousseau and Grandma Moses worked in this style.
<p><b>neoclassicism</b> A European style of the late eighteenth and early nineteenth centuries. Its elegant, balanced works revived the order and harmony of ancient Greek and Roman art. David and Canova are examples of neoclassicists.
<p><b>photorealism</b> A figurative movement that emerged in the United States and Britain in the late 1960s and 1970s. The subject matter, usually everyday scenes, is portrayed in an extremely detailed, exacting style. It is also called superrealism, especially when referring to sculpture.
<p><b>pointilism</b> A method of painting developed by Seurat and Paul Signac in the 1880s. It used dabs of pure color that were intended to mix in the eyes of viewers rather than on the canvas. It is also called divisionism or neoimpressionism.
<p><b>postimpressionism</b> A term coined by British art critic Roger Fry to refer to a group of nineteenth-century painters, including Cezanne, Van Gogh, and Gauguin, who were dissatisfied with the limitations of expressionism. It has since been used to refer to various reactions against impressionism, such as fauvism nd expressionism.
<p><b>Pre-Raphaelite Brotherhood</b> A group of English painters formed in 1848. These artists attempted to recapture the style of painting preceding Raphael. They rejected industrialized England and focused on painting from nature, producing detailed, colorful works. Rossetti was a founding member.
<p><b>realism</b> In a general sense, refers to objective representation. More specifically, a nineteenth century movement, especially in France, that rejected idealized academic styles in favor of everyday subjects. Daumier, Millet, and Courbet were realists.
<p><b>Romanesque</b> A European style developed in France in the late eleventh century. Its sculpture is ornamental, stylized and complex. Some Romanesque frescoes survive, painted in a monumental, active manner.
<p><b>romanticism</b> A European movement of the late eighteenth to mid nineteenth century. In reaction to neoclassicism, it focused on emotion over reason, and on spontaneous expression. The subject matter was invested with drama and usually painted energetically in brilliant colors. Delacroix, Gericault, Turner, and Blake were Romantic artists.
<p><b>suprematism</b> A Russian abstract movement originated by Malevich c. 1913. It was characterized by flat geometric shapes on plain backgrounds and emphasized the spiritual qualities of pure form.
<p><b>surrealism</b> A movement of the 1920s and 1930s that began in France. It explored the unconscious, often using images from dreams. It used spontaneous techniques and featured unexpected juxtapositions of objects. Magritte, Dali, Miro, and Ernst painted surrealist works.
<p><b>symbolism</b> A painting movement that flourished in France in the 1880s and 1890s in which subject matter was suggested rather than directly presented. It featured decorative, stylized, and evocative images
<p>So now you have a little better understanding of visual design. </p>
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		<title>Yakima Quantum Oportunity Program</title>
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		<pubDate>Wed, 01 Nov 2006 07:22:02 +0000</pubDate>
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		<description><![CDATA[I worked on this project for four years in the mid 90&#8242;s it was challenging at times to work with kids that did not want to participate but the kids that did participate had many good experiences and we hope they all gained some valuable lessons. View the slide show for Yakima QOP The Best [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jsosa.wordpress.com&amp;blog=487005&amp;post=8&amp;subd=jsosa&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>I worked on this project for four years in the mid 90&#8242;s it was challenging at times to work with kids that did not want to participate but the kids that did participate had many good experiences and we hope they all gained some valuable lessons.</p>
<p>View the slide show for <a href="http://www.flickr.com/photos/jsosa_images/show/" title="QOP">Yakima QOP  </a></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1"><strong><font size="+1">The      Best Youth Program You Can’t Afford</font><br />
<em>Struggles to copy QOP offer sobering lessons about best practice research      and ‘this whole thing called reality.’</em></strong></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1"><strong>By Patrick Boyle</strong></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1"><strong>Yakima, Wash.</strong></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">For youth worker Darrel Armstead, the challenge of implementing one of the      nation’s most expensive and highly touted youth programs was epitomized      by the rapper from Yakima.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">After repeated nudging got the teen to drag himself to a few sessions of Armstead’s      Quantum Opportunity Program (QOP), the boy’s family moved 100 miles away,      near Seattle. He didn’t go to school there, didn’t want a job, didn’t      want help from QOP. He wanted to cut a rap CD.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">That put Armstead in a quandary: Should he try to work with the boy long distance      – thus adhering to the fundamental “once in QOP, always in QOP”      philosophy – or invest his precious time in youths who showed interest      in the program?</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">After repeated phone conversations with the family, Armstead stopped.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">That wasn’t in the plan. But the experiences of agencies trying to follow      QOP’s plan offer sobering lessons for all youth agencies about the real-world      challenges of taking to scale practices that research says should work. And      in a field where practitioners recite “there are no cookie cutter solutions”      as a mantra, the QOP experience shows how the routine practice of adapting      program models to fit local conditions can undercut the model.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Ever since QOP’s strong impact on grades and behavior grabbed the attention      of the youth work field in the early 1990s, foundations and the federal government      have spent millions trying to replicate it. While the program has had impressive      effects on many kids, the latest research suggests that QOP is so expensive      and demanding that agencies usually fail to follow the model, producing diluted      impacts at a cost that can approach $10,000 a year per youth.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">“We found it incredibly valuable,” says Lisa Moore Willis, vice      president of programs for Bridges, the nonprofit which ran the QOP demonstration      in Memphis, Tenn. Nevertheless, “We’re just not able to sustain      it. … It is very difficult to replicate.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Such talk makes Robert Taggert mad. QOP’s co-creator says the problem      with a recent five-year demonstration run by the U.S. Department of Labor      (DOL) and the Ford Foundation is that the replicating agencies, such as Bridges,      didn’t stick to the model – because the DOL didn’t force them      to. “No one was there kicking their butts,” says Taggert, director      of DOL’s youth programs during the Carter administration. The DOL “had      no control over any of the sites.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Taggert’s prescription to insure model fidelity might sound like the      opposite of what agencies generally want: funders riding herd on operational      details throughout the project, even dictating how grantees use staff. “It’s      not fun to be the ass-kicker,” says Taggert. But “our biggest weakness      in youth programs is that they’re crappily managed and crappily replicated.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Willis understands Taggert’s passion about sticking to the program design,      but says, “There’s this whole thing called reality.”<br />
Thus QOP takes the youth field back to one of its most persistent and hard-to-answer      questions: How does promising research apply to on-the-ground youth work?<br />
<strong><br />
Breaking Rules </strong></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">QOP is like some kids you know: full of potential but difficult to manage,      because it’s different.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Taggert, president of the Remediation and Training Institute (RTI) in Alexandria,      Va., developed QOP in 1988 with Gordon Berlin, then of the Ford Foundation,      and Benjamin Lattimore of Opportunities Industrialization Centers of America      (known as OIC), based in Philadelphia. They built it in part from the Comprehensive      Competencies Program, a computer-assisted math and reading program that Taggert      had developed earlier with Ford grants. QOP added mentoring, community service      and youth development.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The objectives were ambitious: Increase the chances that youths would stay      in school and go on to postsecondary education or job training, increase academic      achievement and reduce risky behavior.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The threesome designed a program with several key elements that were unique,      at least in combination:</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Intense Participation: Youth were to spend 750 hours a year on program      activities.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Intense Relationships: Youth stayed in QOP for four years. (A less      intense follow-up year has been added to help after high school.) Each case      manager would be responsible for 15 to 25 youths and be available around the      clock.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Intense Outreach: The programs enrolled youth from selected schools      regardless of whether they wanted to participate. Once in QOP, they remained      in QOP – meaning staff had to find and engage those who quit, moved or      never participated.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Financial incentives: Agencies paid the youth stipends (about $1.25      an hour in the most recent demonstration) for time spent on most program activities;      deposited a matching amount in an accrual account, which the youths could      claim after reaching an objective such as graduating from high school and      enrolling in college; and paid bonuses for reaching milestones, such as getting      certain grades.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">QOP “breaks the rules that we live by in terms of youth intervention      and programming,” says Mary Beth Bartholomew, who directed the QOP demonstration      in Cleveland. It “makes people uncomfortable because it’s difficult,      it’s long-term, it’s expensive.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The Ford Foundation put up $1.3 million to test the idea in five cities from      1989 to 1993, with OIC affiliates running the programs. Each site had 25 kids      and an equivalent control group.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">An evaluation by Andrew Hahn at Brandeis University’s Center for Human      Resources (now the Center for Youth and Communities) found some impressive      results. (The Milwaukee site was dropped because it essentially didn’t      implement QOP.) Of about 100 QOP youths at the four remaining sites, 63 percent      graduated from high school, compared with 42 percent in the control group;      42 percent went to post-secondary education, compared with 16 percent in the      control group; 23 percent dropped out of high school, compared with 50 percent      in the control group; and 24 percent had children, compared with 38 percent      in the control group.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Hahn calculated that when increased earnings and lower public expenditures      on youths in trouble were factored in, QOP produced $3.68 in benefits for      every dollar spent.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">“The QOP impacts dwarf those of any program we have evaluated,”      Taggert said at a briefing of the Washington-based American Youth Policy Forum      (AYPF).</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The program was widely hailed as model, landing on several best practice lists.      Among those publishing glowing summaries of QOP in the 1990s: Del Elliott’s      Center for the Study and Prevention of Violence, in Boulder, Colo., which      chose it as one of 10 programs in its “Blueprints for Violence Prevention”      series; the U.S. Office of Juvenile Justice and Delinquency Prevention, which      paid to publish and disseminate a book, Quantum Opportunities Program, by      Lattimore; the AYPF (“Promoting Success Youth Development in Urban Communities      – Unprecedented Success for the Quantum Opportunities Program”);      the U.S. Department of Health and Human Services (“Preventing Teen Pregnancies:      Promoting Positive Strategies”); and Youth Today, with a page 1 story      in 1995 saying QOP could be “the harbinger of a whole new approach to      job training for disadvantaged youth.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">But while each of the sites showed positive results for key indicators (such      as high school graduation), the most stunning results were in Philadelphia      – headquarters of OIC, which spent more than any site ($15,000 per youth      over four years, compared with an average of $10,000 for all the pilot sites)      and whose staff showed more commitment than anyone to make QOP work.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Looking back at that pilot in its QOP evaluations this year, Mathematica contends      that “few significant impacts appeared in the other four sites.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">For instance, 18 of the 25 Philadelphia QOP youths went to college. In San      Antonio, there was no boost in high school graduation rates or post-secondary      enrollment, according to Lattimore’s 1998 book.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">That book noted “large differences in the ‘QOP effect’ among      the four sites. Philadelphia stood apart.” In its “blueprints”      summary, the center for violence prevention cautioned that “the program’s      success is heavily dependent on successful replication.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">QOP’s creators acknowledged that a bigger demonstration was needed to      see if the results could be replicated on a larger scale. Taggert called on      his old agency, the DOL, to kick in $1 billion a year.<br />
<strong><br />
Calling Bill Gates</strong></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Well, it doesn’t hurt to ask. The DOL did devote about $5 million in      Job Training Partnership Act (JTPA) money for a five-year QOP demonstration,      in partnership with the Ford Foundation. Community-based agencies in five      cities each got $200,000 a year from DOL, and were to find local matching      funds. Ford gave OIC $4.1 million to run two more sites and provide technical      assistance to all of them. Taggert’s RTI also provided technical assistance.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Each DOL site (Cleveland, Memphis, Houston, Forth Worth and Washington) served      about 100 youths, while the two Ford sites (Philadelphia and Yakima) served      50 apiece. There were also control groups for each site. All youth were randomly      assigned.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Taggert saw trouble. Months before the programs began in July 1995, he wrote      to DOL Secretary Robert Reich that the demonstration would fail because the      design differed significantly from the QOP pilot. He asked the department      to appoint OIC as intermediary over the sites to reduce bureaucratic hassles      for the agencies (like managing the stipends) and insure that they followed      the model. “To paraphrase Lloyd Bentsen,” he wrote, “ ‘I      knew the Quantum Opportunity Program, and this is not QOP.’”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Eight years later, Taggert’s fears were confirmed.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Although the programs ended by late 2001, a lot was at stake in the two Mathematica      evaluations that came out this year. More than a dozen youth agencies now      run QOPs or versions of them. The Milton S. Eisenhower Foundation has started      six new QOPs in about the past year. (See “QOP Lite” sidebar.)</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">They might learn a lot from Mathematica’s impact and implementation findings.      The researchers said the seven programs boosted high school completion rates      and attendance in post-secondary education or training. The programs did not      improve grades or reduce risky behaviors, or have significant positive, overall      impacts on anything else. (See “Impacts” sidebar.)</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Most striking is the impact of the programs individually. The only sites to      show broad positive results, Mathematica said, were those funded by Ford and      run by OIC. And between those two, Philadelphia (operated this time by the      national OIC) again stood out as largely responsible for the strong findings.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Except for Philadelphia, Mathematica said, community based organizations “found      implementing QOP difficult, primarily because QOP was substantially more comprehensive,      intensive and complex than their traditional programs.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Even here at the Yakima site, run by the local OIC affiliate, then-JTPA coordinator      Sandra Pieti says, “The difficulty was going from short-term training      – work experience, a few credits, GED – to five years of TLC, big      time.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Once again, OIC in Philadelphia understood QOP better than the other agencies      and was more devoted to the program that it had helped to create. It stuck      closest to the model and spent more: an average of $49,000 per youth for the      five years, compared with an average of $25,000 for all the demonstration      sites.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">“Philadelphia’s success, more than anything, had to do with the      fact that we couldn’t let it fail,” says Deborah Scott, who coordinated      the Philadelphia program and is now national program manger for OIC. “It      was not an option for us.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Managers at the other sites say they didn’t fail, either, despite the      evaluations. They saw troubled kids blossom. They helped kids improve in school,      deal with crises and set firm courses for their futures.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">“Enough of them still come back to us and say, ‘You know what? This      program saved my life,’ ” Bartholomew says.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">They believe the measured results were dragged down by several factors, such      as including enrollees who didn’t participate.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Most sites did show significant results in certain areas. The Yakima youth,      for instance, achieved big gains in math scores.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">But with the only clear overall success (Philadelphia) costing $9,800 a year      per youth, can anyone afford it? “It’d be tough to take this thing      to scale in a city unless you had Bill Gates” paying for it, Bartholomew      says. Even in Philadelphia, there is no stand-alone QOP now because there      is no funding for it.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Taggert says the long-term savings are worth the cost, but someone must make      sure the agencies implement the model. He says the DOL (which declined to      comment on the studies) let the agencies go so far off course that the model      was not accurately tested. “It’s interesting that some of these      programs can be called QOP when they are doing their own thing,” says      RTI Vice President Barbara Dunn.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Just about any youth-serving agency can take lessons from QOP’s struggles      and success, which involve universal issues such as getting kids to keep coming      as they age through high school, transporting youth to programs, establishing      lasting mentor relationships and avoiding staff burnout.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Following are summaries of the major issues raised by QOP:<br />
<strong><br />
Never Give Up On a Kid</strong></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">It sounds nice: “Once in QOP, always in QOP.” The idea is that programs      should not only served motivated participants, but also make it a mission      to find and cajole those who show no interest or drift away.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Dropped out of school? Got locked up? Told the youth worker to bug off? Didn’t      matter. To leave QOP, you had to die. In Yakima, QOP staffers even kept working      with a diabetic girl who slipped into a coma three times over the five years.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">But following this credo often imposed an immense burden on staff, with questionable      payoff.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Most of the youths had never heard of QOP until staffers came to their homes      or schools and told them they’d been chosen. Most went along, but some      weren’t interested. There were, however, no substitutions or dropouts;      each youth would be factored into the evaluation of the agency’s performance.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">“We dogged those kids” to participate, says Armstead, the QOP coordinator      in Yakima. He admits that “without the requirement” to meet with      and involve every youth on the list, “we wouldn’t have done it.”      Thus QOP designers got part of what they wanted: the involvement of youths      who otherwise wouldn’t have participated.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The question is, at what point does this laudable theory become a waste of      precious time? Youth workers “reported wasting many hours contacting      individuals who had never participated in any QOP activities,” Mathematica      reports.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">“You had kids who had already given up on school, who we couldn’t      persuade to come in here,” Armstead says. “There are still a couple      of kids we never met.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">In Philadelphia, Scott says, OIC “sent out bounty hunters,” paying      some QOP youths $50 to get uninvolved kids to come for two weeks. But “there’s      a point at which you do cut your losses” and just make an occasional      call or mail a “thinking about you” note.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Hunting kids isn’t always efficient, but that wasn’t the point of      the demonstration. The point was to see what happens when agencies dedicate      themselves to bringing in hard-to-reach kids – rather than the routine      practice of picking the “low-hanging fruit,” that is, kids who are      motivated to participate.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">“You’ve got this recalcitrant group that’s never been invited      in [to programs] and is suspicious,” says Hahn, who evaluated the QOP      pilot. “You’ve got to work and work and work on that.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Causing even more trouble were those who moved – and as is typical of      programs serving low-income youth, moving was routine. By the fourth year      of the demonstration, the proportion of participants who had moved from the      school at which their QOP program was originally based ranged from 14 to 57      percent. This set off a logistical and manpower nightmare.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">“By the third year we had kids in over 17 high schools,” says Bartholomew      in Cleveland. Some case managers struggled to figure out how to get their      ever-dispersing group to the program site each day, or spent their days visiting      kids at various schools, trying to deliver services to them separately.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Staffers even visited hangouts and places of employment to track down kids      who moved without notice.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Transportation costs soared, as agencies gave the kids bus fare or used vans      to shuttle them to the programs. “We spent a lot of money on gas and      bus tickets,” Bartholomew says.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Even when youths moved out of state, the QOP model called for the agencies      to keep providing services. Some tried:</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Mathematica reports that one caseworker drove hundreds of miles to visit a      youth. But most staffers just tried to keep in touch by mail and phone, if      at all. They asked about report cards and encouraged the kids to get active      in local youth programs.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">“The model says we follow the kids” wherever they go, Bartholomew      says. But “there was too much work in our own<br />
backyard.”<br />
<strong><br />
Handing Out Cash</strong></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Should an agency pay kids to let adults help them? How about paying the adults      extra for doing a good job? QOP said “yes.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The hourly stipends “induced newly enrolled youth to attend program activities,”      Mathematica found, giving youth workers a chance to develop relationships      that might keep the teens coming in.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Although the impact of the modest stipends generally faded with time –      “It’s not as much as they’d make on a corner,” Bartholomew      notes – the money encouraged some youths, especially with matching funds      available at the end of the line.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">“That kind of pushed me to get more hours and more money,” says      Alondra Garivay, who was in the Yakima program.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The matching-fund accounts were intended to help the youths with college or      vocational school expenses, and teach them about saving and investing. By      the end of the demonstration the accounts ranged from a few hundred dollars      to nearly $10,000, averaging less than $2,000.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">But with the push to get kids to attend program activities, Bartholomew says,      sometimes “it seemed like we were almost giving kids stipends for breathing      next to us.” She recalls a day in the computer lab when a youth put a      ream of paper in the printer and half-jokingly said, “How much do I get      paid for that?”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The programs also offered bonuses to staff when their youths met objectives,      such as a certain number of hours of participation. But providing bonuses,      along with letting QOP case managers work on flex time, sometimes created      resentment among other staffers. “It was a sensitive issue here,”      says Willis in Memphis, and it remains so as her agency continues with its      versions of QOP.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Those versions do not include matching funds accounts, and some don’t      include stipends. Willis says those incentives add a “huge” cost      to the program, which the agency cannot afford.<br />
<strong><br />
Time</strong></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">QOP’s incredible ambition and challenge is best illustrated by the stipulation      to provide 750 hours of activities annually for each youth, evenly divided      among education, community service and youth development. That’s more      than 14 hours a week, year-round.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Only two agencies provided that many hours, Mathematica said, and for the      vast majority of youth, actual participation fell far short of that goal.      For all the sites combined, youths averaged 174 hours a year through the first      four years – 23 percent of the amount of time stipulated by the design.      Two patterns stand out:</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Program participation dropped drastically as the youths aged, as is      typical for youth programs. The average number of hours fell from 247 the      first year to 89 in the fourth. The number of youth spending no time on QOP      rose from 1 percent the first year to 36 percent in the fourth.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• The Ford-funded sites averaged more than twice as many hours (294)      as the DOL-funded sites.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The youths who participated the least (less than 100 hours total for all the      years) said they were uninterested in the activities or were committed to      other after-school activities, such as sports, jobs or caring for family members.<br />
<strong><br />
Community Service</strong></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Nothing got less attention than this. All seven sites gave community services      less emphasis than the education and developmental components, and none of      the sites offered 250 hours a year, as the plan stipulated.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The most common reason was lack of interest among kids and a feeling among      youth workers that the kids needed other services more. “Most sites decided      to reallocate their resources away from community service to mentoring, case      management and educational activities,” Mathematica said.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">“With the population we’re working with, we really work hard to      just make sure they get to school,” says Willis in Memphis.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Armstead saw that as kids aged, they had less interest in or time for community      service. Once again, jobs and family obligations took precedence. Several      agency managers noted that for many kids, “community service” is      what someone does to work off a court sentence.<br />
<strong><br />
Education</strong></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">In this day and age, the requirement seems ridiculously easy: Provide computers      for the kids. “My God, it seems like such a simple thing, doesn’t      it?” Bartholomew says. “It’s what gave me gray hairs the first      three years of the program.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Staff-assisted computer instruction was one segment of QOP’s education      component that no site completely fulfilled. Some sites did do well in other      educational areas, and many kids showed academic progress. The youth workers      often called parents when a youth was absent from school and visited the homes      of enrollees who missed school for several days. “These efforts were      not sustainable in the long run,” Mathematica reported, because youths      eventually spread out to so many schools or repeatedly “reneged on promises”      to attend school.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">“Few sites” found time to conduct regular tests to assess academic      performance, Mathematica found, and only two developed education plans for      each youth. The plans were generally shallow, listing generic activities such      as “after-school tutoring, teacher conferences.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Perhaps most instructive was the difficulty with computer labs and tutoring.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1"><strong>Computer Labs</strong></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">When the demonstration program started, only two of the seven sites had functioning      computer labs – Philadelphia and Yakima, where Ford paid for the labs.      One windfall: Here in the middle of economically depressed Yakima sits a room      at OIC with an impressive collection of computers, which the agency uses for      other youth programs now that QOP has ended.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The five DOL-funded sites had no money set aside to create computer labs and      scrambled to find computers and provide instruction. One had a state of the      art facility by the start of the second year, Mathematica said, while the      other four “spent a great deal of staff time arranging for access to      computer facilities” run by other organizations, such as schools, with      mixed success.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Consider Cleveland. A local high school had a spanking new lab. QOP co-creator      Lattimore saw it and “was just blown away,” Bartholomew says. But      her agency couldn’t use it. “That was mostly school politics,”      she says.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">It took three years to get access, three days a week. “By then, our kids      are 17, they’re working after school,” Bartholomew says. “We      kind of lost that opportunity, when they were younger and not working, to      have that captive after-school audience.”<br />
The lab “served just a very few kids.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Memphis never found a lab. With the QOP youths spreading out among different      schools, Willis realized that any place she found would be too inconvenient      for most of the kids. “Even if you had the lab, who would come?”      she says.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Ironically, the computers could draw kids to the program, thus increasing      their hours of participation. In Yakima, Garivay says, “The reason I      went” to QOP so often “was because we had access to the Internet”      there.<br />
<strong><br />
Tutors</strong></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Can you find AB if trapezoid ABCD is isosceles and AB = 5x-3 when CD = 3x      + 3? Neither could most QOP workers.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">“The staff were great mentors,” says Bartholomew in Cleveland. But      “of the five staff we had, we probably only had one who could really      tutor math. A couple of them got better.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">In Houston, the youth workers “occasionally helped with homework and      encouraged students to take advantage of free tutoring services provided by      the school,” Mathematica found. In Washington, “case managers provided      homework help when students requested it.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">At least three sites – Philadelphia, Memphis and Cleveland – addressed      the problem by hiring outside tutors.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1"><strong>Youth Development</strong></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">It’s no surprise that overall, the agencies were best at what they already      did most: youth development. Mathematica found that “all sites successfully      implemented developmental activities,” which included recreation, culture,      life skills and employment-readiness training.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The most popular and memorable activities were often things that middle class      youth might take for granted. In Yakima and Philadelphia, for instance, the      kids earned their way onto out-of-town trips to visit colleges. The Yakima      OIC chartered a bus to take youths to Southern California, about 800 miles      away.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">“A lot of our kids had never been more than 45 minutes from Yakima,”      Armstead says.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The California visit had a big impact on Garivay, who had assumed until then      that she wouldn’t go to college, especially after<br />
having had a baby at 15. “It opened up doors,” she says. “When      you went to U.C.L.A., that was just amazing. My [QOP] counselor told me, “      ‘You could go here.’ ”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Garivay studies nursing at Washington State University, having decided to      stay close to home.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The recreational activities increased program participation and built relationships      between the youth and youth workers, the evaluations found. But while certain      activities, such as pregnancy prevention discussions and anger management      classes, served specific, measurable objectives, the youth workers appreciated      that QOP freed them to pursue fundamental youth development with no outcome      strings attached.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">“We could take them to a movie with no occupational skill attainment,”      says Pieti in Yakima. “The biggest events that made a difference in the      kids’ lives was being able to experience things they’d never experienced.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">That included golfing (“If the kids didn’t have money, we’d      take up a collection” among the staff, Armstead says) and eating at tony      restaurants. The latter made an impression on Garivay; she recalls being struck      by place settings with three forks. The kids didn’t just eat; they got      an education in formal dining, covering such matters as what each fork is      for and the proper placement of water glasses and coffee cups.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1"><strong>Intensity</strong></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">This is where QOP stood out. Just as the design intended, QOP created significantly      more intense services and youth/adult relationships than the average youth      program. “Many of the school administrators, faculty and CBO managers      … stated that QOP was the most intensive program they had ever encountered,”      Mathematica said.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">One principal told evaluators that QOP was the most successful youth program      he’d seen, saying, “They pick youth up at home. They do whatever      is needed, inside or outside of school. They provide a stable and caring environment;      they provide consistency.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Staffers reported forming “close mentoring relationships” with 40      to 60 percent of the youth assigned to them. All the sites successfully implemented      mentoring, Mathematica found. Most youths had the same case managers for all      five years.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">But the expectation for staff to be available on nights and weekends created      a workload that was heavy even by youth work standards. “It isn’t      a job, it’s a life,” Armstead says.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Staffers were told “they will not be working normal lives, and they will      be giving up a lot of their free time,” says Scott in Philadelphia.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Staffers at several sites routinely worked off the clock. Some worked in teams,      so they could share responsibilities during off hours. Some worked on flex      time.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">“Boy, that makes people nervous,” Bartholomew says of flex time.      “You have to trust people” to do their jobs under less supervision,      and hear gripes from resentful staff: “No one else does that. We’ve      never done that before. What do you mean they’re not coming in at 8 and      leaving at 4:30? I was always fighting political battles.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Most of the off-hour calls from kids were handled over the phone, Mathematica      said. But case managers routinely got calls from youths asking to borrow money      for family emergencies or to bail them out of jail. “You’ve got      somebody who calls and says, ‘I’m being kicked out’ ”      of home, Willis says, and soon thereafter, “they’re sleeping on      my couch.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Mathematica found that staff turnover was not a significant problem. Nevertheless,      Scott in Philadelphia recalls, “The burnout factor was real, absolutely      real.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Patrick Boyle can be reached at <a href="mailto:pboyle@youthtoday.org">pboyle@youthtoday.org</a>.<br />
<strong><br />
Resources</strong></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">“The Quantum Opportunity Program Demonstration: Implementation and<br />
Short-Term Impacts,” December 2002<br />
“The Quantum Opportunity Program Demonstration: Implementation Findings,”      December 2002<br />
Mathematica Policy Research<br />
P.O. Box 2393<br />
Princeton, NJ 08543-2393<br />
(609) 799-3535<br />
<a href="http://www.mathematica-mpr.com/">www.mathematica-mpr.com</a></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Darrel Armstead<br />
Yakima Valley OIC<br />
815 Fruitvale Blvd.<br />
Yakima, WA 98902<br />
(509) 454-4617<br />
</font><font face="Arial, Helvetica, sans-serif" size="-1"><br />
Mary Beth Bartholomew<br />
QOP Director<br />
Youth Opportunities Unlimited<br />
2000 E. 9th St.<br />
Cleveland, OH 44115<br />
(216) 566-5445</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Deborah Scott<br />
National Program Manager<br />
Opportunities Industrialization Centers of America<br />
1415 N. Broad St.<br />
Philadelphia, PA 19122<br />
(215) 236-4500</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Robert Taggert, President<br />
Remediation and Training Institute<br />
604 Wolfe St.<br />
Alexandria, VA 22314<br />
(703) 683-7795</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Lisa Moore Willis<br />
Vice President of Programs<br />
Bridges<br />
314 S. Goodlett St.<br />
Memphis, TN 38124<br />
(901) 452-5600</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1"><strong><font size="+1">QOP’s      Impact – And Some Caveats</font></strong></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">According to recent evaluations of the QOP demonstration programs by Mathematica      Policy Research, when taken together the programs:</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Increased the likelihood of high school graduation by 7percentage points.      The impact of the QOP pilot that began in 1989 was 19 percentage points.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Increased the likelihood of youths going on to postsecondary education      or training by about 6 percentage points, when the measurement included college,      vocational or technical school attendance, apprenticeship enrollment or military      enlistment.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Did not improve grades.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Did not reduce risky behavior.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The “statistically significant” short-term impacts on youth at specific      sites, as defined by Mathematica:</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Yakima: Higher math scores, less likely to have a baby; less likely      to attend high school, postsecondary education or training, or to work.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Philadelphia: More likely to attend postsecondary education or training,      and to work; less likely to have a baby; more binge drinking.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Washington: Lower math scores.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Cleveland: More likely to complete high school and attend college;      less binge drinking.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Houston: Lower grades.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Fort Worth: No significant impacts.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Memphis: More binge drinking.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Several factors probably helped to keep down the impacts:</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• The QOP pilot that began in 1989 served youth in families on public      assistance, but their academic achievement varied. The recent demonstration      served youth who had low grades and were entering high schools with dropout      rates of at least 40 percent. Thus the youth in the demonstration may have      been more challenging to serve.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• The youths were also more challenging to serve than are the youth in      many other programs, because enrollees are randomly selected. They do not      seek out QOP, nor do they have to complete it to satisfy an academic or court      requirement.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Including enrollees who participated very little or not at all probably      watered down the impacts. The results might have been stronger if only active      youth had been included in the calculations.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Sixteen percent of the research sample was still attending high school      at the time of the evaluation, so follow-up data might change the results.      Deborah Scott, who coordinated the QOP in Philadelphia, says some measurable      impacts won’t be clear for years, as the youths apply their QOP experiences      to their lives as young adults.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• QOP program managers believe, as Lisa Moore Willis from the Memphis      program says, that “a lot of the benefits to these kids aren’t found      in a Mathematica report. … There were immeasurable impacts for these      young people.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1"><strong><font size="+1">QOP      Lite: Less Money, Works Great?</font></strong></font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The Quantum Opportunities Program (QOP) holds so much promise that youth-serving      agencies continue to take on the challenge to replicate its demanding model.      Most are trying to do it by dropping or trimming some of the more intense      and expensive elements of the design.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Their efforts may show the extent to which an agency can use portions of a      successful model and still get good results.<br />
Everyone agrees on step one: Find a big, outside funder. QOP is too expensive      for most nonprofits to take on within their standard budgets.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Among the efforts:</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Probably no one has more interest in immediately learning lessons from      the recent QOP evaluations than Johnny Gage: He oversees six QOPs started      within about the past year by the Milton S. Eisenhower Foundation, based in      Washington, D.C.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Unlike other QOPs, these are at public housing developments. That’s because      Eisenhower saw that in its Safe Haven projects in public housing, older teens      “were starting to sort of stray,” says Gage. “There just wasn’t      a lot that kept them involved.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The programs – in Washington; Herndon, Va.; Dover, N.H.; Portland, Ore.;      and at two sites in Columbia, S.C. – will each get about $90,000 a year,      Gage says. Five serve 20 youths, and one serves 30. All are run by nonprofits      except for Dover, which is run by the city housing authority.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Eisenhower is trying to replicate QOP on $4,500 per youth annually, slightly      less than the average spent by the seven sites in the recent demonstration      run by the U.S. Department of Labor (DOL) and the Ford Foundation, and less      than half of what was spent by the one that was most clearly successful.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">It’s not enough. Gage says the sites are expected to find local funding      as well, and to develop a system of regular volunteer youth workers.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Gage is using the recent QOP evaluations to talk with his grantees about the      areas of danger. For instance, he’ll pay close attention to the number      of activity hours planned for the youth, and set plans for corrective action      if the hours fall off pace.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• In Memphis, Bridges liked QOP so much that after its DOL demonstration      program ended in 2001, it pieced together funding from disparate sources –      including the city government, the DOL’s Youth Opportunity (YO) grants      and a local corporation – to set up nine QOPs, each serving 25 youth.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">But those programs don’t follow the QOP model to the letter. Depending      on the funding sources, says Bridges Vice President Lisa Moore Willis, some      of the programs provide stipends to the youths and some don’t. None features      matching-fund accrual accounts. And, Willis says, “we don’t have      money to hire a tutor.”</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">That has helped to keep costs down to an average of $3,200 per student, Willis      says.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">After the funding periods end for those programs, no new ones are on the horizon,      she says, because no one has put up the money.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• Another QOP demonstration site, Youth Opportunities Unlimited, in Cleveland,      subcontracts to run a version of QOP for the city schools, also with federal      YO funds. That program, serving 260 youth, has kept most of the QOP elements,      says QOP Director Mary Beth Bartholomew. But it does not require 750 hours      of activities each year, and youths may move in and out of the program. The      budget: about $600,000 a year, or about $2,300 per youth.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• The York, Pa., YWCA runs four QOP groups (of about 30 youth each, teamed      by grade), and reports no trouble planning 750 hours of activities a year      or adhering to any of the other QOP elements. One big difference: Youths volunteer      for the program after being told they’re eligible because they’re      on public assistance. Most of the youth come from one high school to the YWCA.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">The program is run on a four-year, $1.2 million grant from the Pennsylvania      Commission on Crime and Delinquency, using funds from the U.S. Office of Justice      Programs.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">• About 80 miles away, in Philadelphia, home of the most successful QOP      to date, there’s no money to run a full QOP right now. “What we’ve      done is tweak the QOP model,” says Deborah Scott, national program manager      for OIC of America. The agency has blended portions of QOP into school-based      programs for older youth, mostly ages 18 to 21. Not all of those programs      include student stipends, and none requires 750 hours a year of program activities.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">All of which raises the question: Can portions of QOP be grafted onto other      programs and still be effective? QOP co-creator Robert Taggert says agencies      have to stick to the model or their results will plummet, and the recent Mathematica      reports back him up. The further an agency drifted from the model, the weaker      its overall results.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">But it appears that few agencies can successfully run a QOP as it now stands.      The two most common suggestions for change, from the Mathematica reports and      agency operators: Reduce the number of hours each year (from 750 to 450, Mathematica      says), and don’t make the agencies keep trying to haul in kids who definitely      are not interested or who move far away.</font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1">Taggert is open to some adjustments, like dropping a completely uninvolved      youth after a certain time. “The most important thing,” he says,      “is that you have a four-year commitment to the individual. The principle      of making that effort is very important.” </font></p>
<p><font face="Arial, Helvetica, sans-serif" size="-1"><br />
</font></p>
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		<title>IE7 Release and review</title>
		<link>http://jsosa.wordpress.com/2006/10/19/ie7-release-and-review/</link>
		<comments>http://jsosa.wordpress.com/2006/10/19/ie7-release-and-review/#comments</comments>
		<pubDate>Thu, 19 Oct 2006 18:06:38 +0000</pubDate>
		<dc:creator>jsosa</dc:creator>
				<category><![CDATA[JFS InBlog]]></category>

		<guid isPermaLink="false">http://jsosa.wordpress.com/2006/10/19/ie7-release-and-review/</guid>
		<description><![CDATA[Today I downloaded and installed IE 7, with much anticipation of this release around the computer world, I was ready to try it again. The beta really had a lot of problems for me as a .net web developer. The CSS of some popular site such as Google and Del.icio.us have been a challenge to [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jsosa.wordpress.com&amp;blog=487005&amp;post=4&amp;subd=jsosa&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Today I downloaded and installed IE 7, with much anticipation of this release around the computer world, I was ready to try it again. The beta really had a lot of problems for me as a .net web developer.</p>
<p>The CSS of some popular site such as <a href="http://www.google.com/" target="_blank">Google</a> and <a href="http://del.icio.us/" target="_blank">Del.icio.us</a> have been a challenge to navigate because of the overlapping of links see picture below.</p>
<p>Google Maps API on Firefox</p>
<p><a href="http://jsosa.files.wordpress.com/2006/10/WindowsLiveWriter/IE7Releaseandreview_9C18/GmapsFF%5B13%5D1.jpg"><img src="http://jsosa.files.wordpress.com/2006/10/WindowsLiveWriter/IE7Releaseandreview_9C18/GmapsFF_thumb%5B11%5D1.jpg?w=502&#038;h=423" style="border:0 none;" border="0" height="423" width="502" /></a></p>
<p>Google Maps API on IE 7</p>
<p>The navigation overlaps</p>
<p><a href="http://jsosa.files.wordpress.com/2006/10/WindowsLiveWriter/IE7Releaseandreview_9C18/GmapsIE%5B5%5D1.jpg"><img src="http://jsosa.files.wordpress.com/2006/10/WindowsLiveWriter/IE7Releaseandreview_9C18/GmapsIE_thumb%5B3%5D1.jpg?w=499&#038;h=457" style="border:0 none;" border="0" height="457" width="499" /></a></p>
<p>Del.icio.us on Firefox</p>
<p><a href="http://jsosa.files.wordpress.com/2006/10/WindowsLiveWriter/IE7Releaseandreview_9C18/DeliciousFF%5B4%5D1.jpg"><img src="http://jsosa.files.wordpress.com/2006/10/WindowsLiveWriter/IE7Releaseandreview_9C18/DeliciousFF_thumb%5B2%5D1.jpg?w=501&#038;h=426" style="border:0 none;" border="0" height="426" width="501" /></a></p>
<p>Del.icio.us on IE 7</p>
<p>The Footer overlaps</p>
<p><a href="http://jsosa.files.wordpress.com/2006/10/WindowsLiveWriter/IE7Releaseandreview_9C18/DeliciousIE%5B4%5D1.jpg"><img src="http://jsosa.files.wordpress.com/2006/10/WindowsLiveWriter/IE7Releaseandreview_9C18/DeliciousIE_thumb%5B2%5D1.jpg?w=499&#038;h=437" style="border:0 none;" border="0" height="437" width="499" /></a></p>
<p>The guys at MS say that IE 7 is using W3C Standards and is more standards compliant based than any IE before it. The guys at these sites have not commented or may fix there site to work on IE 7 I don&#8217;t know. Also when a page loads that exceeds the screen resolution IE 7 renders it centered making my scroll to the left to navigate the site. I do development in Visual Studio 2005 every day and the feature of having IE 7 crash while I&#8217;m trying to build applications is a nice added touch. Read article</p>
<p>Article about <a href="http://msdn.microsoft.com/library/default.asp?url=/library/en-us/IETechCol/cols/dnexpie/ie7_css_compat.asp" target="_blank">CSS Compatibility</a> from MS talks about how serious they are about this topic.</p>
<p>I relay like what they have done with the Tabs making it easier to open a new tab and close a current tab. Also the ability to save a list of startup tabs is nice. The feeds of search results is also very cool.</p>
<p>The quick tabs feature is also a welcome feature although, clicking on one of the thumbnail image links to get to a site sometimes produces interesting results.</p>
<p><a href="http://jsosa.files.wordpress.com/2006/10/WindowsLiveWriter/IE7Releaseandreview_9C18/msdnIE7%5B2%5D1.jpg"><img src="http://jsosa.files.wordpress.com/2006/10/WindowsLiveWriter/IE7Releaseandreview_9C18/msdnIE7_thumb1.jpg?w=500&#038;h=375" style="border:0 none;" border="0" height="375" width="500" /></a></p>
<p>But after a quick refresh we are back in business.</p>
<p><a href="http://jsosa.files.wordpress.com/2006/10/WindowsLiveWriter/IE7Releaseandreview_9C18/msdnIE7a%5B2%5D1.jpg"><img src="http://jsosa.files.wordpress.com/2006/10/WindowsLiveWriter/IE7Releaseandreview_9C18/msdnIE7a_thumb1.jpg?w=498&#038;h=374" style="border:0 none;" border="0" height="374" width="498" /></a></p>
<p>Suggestion I have:</p>
<p>1. Searchable Favorites lake they have for the History.</p>
<p>2. Built in Zooming gradual Feature</p>
<p>3. Ability to add notes to a site on the back of a site. Maybe one day review other people shared notes of a particular site.</p>
<p>I give it a 3.8 out of 5 stars for this effort, very good implementation of the browser and a glimpse of the future.</p>
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